![]() ![]() Without doubt, however, the stars of the modulation show are the three completely overhauled Performers. #Absynth vst review modThe four Tracker mod sources let you freely map Pitch- and/or Velocity (Note On and Off)-based modulation, while the Voice Randomizer outputs a random value with each new note (ideal for a bit of analogue fluctuation), and 16 Macros make grouped performance control and automation as easy as ever. We love the LFOs’ five user-definable synced note values, with which their timings can be precisely switched and modulated. ![]() Eight of these can each be set to one of four types: Modulation Envelope is a standard shapeable ADSR Exciter Envelope is a fast one-shot LFO for adding ‘front’ to sounds Switcher LFO is a conventional LFO with a modulatable rotary selector sweeping through 16 LFO shapes, including ‘Random’ (reminiscent of but nowhere as flexible as the Wobble knob in Sugar Bytes Cyclop) and Random LFO generates chaotic signals with adjustable jitter and noise input. As with the oscillators, if you do need more filtering, you can load any of the three Insert FX with a simple dual filter module.īack in the day, Massive’s expansive modulation system was a gamechanger, but Massive X’s smokes it, with up to 17 modulators assignable to pretty much every parameter throughout the synth via drag and drop. They all sound absolutely superb, from the squelchy Asimov low-pass and luxurious Blue Monark multimode, through the edgy Creak and formant-evoking Groian, to the extraordinarily effective Comb and three versatile SVF setups. Moving on to the Filter section, and although, surprisingly, we only get one main filter, as opposed to Massive’s two, there are nine different types to choose from, each offering multiple modes and its own set of controls, and between them presenting a more diverse range of frequency processing options. The Feedback modules are a highlight, enabling all sorts of fattening trickery to be pulled off through the assignment of multiple modules to FB In, and FB Out to as many destinations as required to make your floor-shaking point. #Absynth vst review serialAt the right-hand end of the signal flow, the master FX adhere to three fixed routings of their own (X>Y>Z X+Y>Z X+Y+Z), and each has its own discrete input for concluding your chains, alongside a direct output that bypasses them entirely.ĭespite its ease of use, the Routing page gives a great deal of scope for constructing elaborate pathing schemes, mixing up serial and parallel routing in any way you see fit, and facilitating audio-rate filter modulation. The oscillators, Noise generators, Auxiliary PM input, Filter FM, filter, Insert FX, two freely assignable Mod sources and Feedback in and out points are all represented as modules, and connecting them up is as simple as dragging from outputs (on the right of each module) to inputs (on the left), with no limit as to the number of connections made to/from each. ![]() A sound design playground, Massive X’s audio signal Routing page takes the system of the same name in the original Massive to a whole new level. ![]()
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